Welcome to Michael Kleinwolterink’s Photography. I am an aspiring amateur photographer that enjoys capturing those once in a lifetime moments forever. My enjoyment of the outdoors has allowed me to capture images of golf courses, flowers, wildlife, farming and outdoor scenes. I continue to improve my photography skills and have enjoyed every minute taking these images. I encourage you to take a look around this site and view Iowa’s countryside through my eyes.
Equipment Used: Nikon D750, Tamron 24-70 mm f2.8 G2 lense, Tamron
70-200 mm f2.8 G2 lense, Nikon SB-700 Speedlight, Zeikos Macro Extension Tube, Vanguard
Abel Plus 363CT tripod, Viltrox Remote Control, Lightroom & Photoshop CC
Back in July, I traveled to the local sunflower plot with my camera on
two different afternoons to capture the scene. Like I always seem to do when
deciding to get pictures of them, the majority of the sunflowers were past
their prime so I walked around to find a few that I liked.
I used the D750 with the two Tamron lenses on the Vanguard tripod and
composed the sunflower to take up the majority of the frame. I zoomed in on
live view to focus and then switched autofocus and VR off. ISO was set at 100
while aperture was set at f9, f16 or f22.
The self timer on the camera body was used so I could trigger and hold
my SB-700 on the sunflower. Since I was using a flash, I did consistently have
the EV set in negative values. I took one sunflower home to get some macro
images and I used the Zeiko extension tubes to get a real close image.
A sunflower preset was created in Lightroom for this set of images and
then I fine tuned each image off of that preset. Adjustments included slider adjustments
under the presence, saturation, and detail tabs. Radial exposure filters were
used to either darken or brighten the sunflower head or other parts of the
Since I was shooting fairly close up to these sunflowers, I had to
clone out imperfections in the pedals of the sunflowers from bugs and wear and
tear from being out in nature. Using the healing brush, content aware patch
tool and clone tool, I was able to do this pretty good. I added some vibrancy to the sunflower heads
or sunset by using the vibrance layer as well. To create the black and white
images, I used the black & white adjustment layer in PS and then brushed
out the pedals to allow the yellow to show though.
New for this write up are a few images of my camera equipment while
shooting the sunflowers to show how I captured the close up images of the them.
A few shots of my equipment set up when taking the above images:
Equipment Used: Nikon D750, Tamron 24-70 mm f2.8 G2 lense, Nikon
SB-700 Speedlights on Vello Wireless Flash triggers, Vanguard Abel Plus 363CT
& Slik Pro tripod, Viltrox Remote Control, Lightroom & Photoshop CC
This year, Panorama Day’s fireworks were set off on Friday night so I
walked out to the lighthouse on the main basin of Lake Panorama and waited for
them to go off on the south shore. After
having an issue with misfocused images during the 4th of July, I
made sure the lense was focused correctly.
I put the D750 on the VanGuard tripod and attached the Viltrox Remote
Control on the camera while putting the SB-700 Speedlight on the Slik tripod.
The Vello wireless flash trigger was attached to the speedlight. I shot at an
aperture of f9.0 and ISO 400 while the lense was at 35mm. Shutter speeds ranged
from 1 to 10 seconds. While the camera was capturing the firework bursts, I’d
hit the trigger to set off my speedlight to light up the lighthouse.
The images were first batch processed in Lightroom by using the
firework presets that I’ve developed since last summer. I then adjusted the
images individually for exposure and saturation while adding radial filter to
reduce the exposure of the grass on the jetty below the lighthouse. These
processed files were then exported as TIFF’s to Photoshop.
The first step in PS was using the clone or healing brush to get rid of
unwanted objects in the images. About the only object that needed remover was a
Canada goose that stood on the end of the jetty by the lighthouse during the
firework show, imagine that! The fireworks were shot off with some going left
while others went right which allowed me to blend multiple images together to
get a bigger more dramatic burst of fireworks. To do this, I used layer masks
and different blending modes. I also took the best exposed lighthouse image and
used it on different images as well. I added some vibrancy to the firework
bursts by using the vibrance layer as well.
The panoramic image was taken before the fireworks were going off so
after combining those images in LR, I then added the fireworks using PS that I
At the end of the firework show, I then turned my camera towards the
condo’s and the Port to capture that scene that overlooks Lake Panorama.
I’m very pleased with how these fireworks turned out and can’t wait to
put them on metal prints and drink coasters.
Equipment Used: Nikon D750, Tamron 24-70 mm f2.8 G2 lense, 2
Nikon SB-700 Speedlights on Vello Wireless Flash triggers, Vanguard Abel Plus
363CT tripod, Lightroom & Photoshop CC
Using the PhotoPills app, I’ve been keeping an eye on the planner
section of the app to see when the Milky Way is at its brightest and if sky
conditions are clear, I head out with my camera during the wee hours of the
night. This has only happened once so far this summer.
I traveled to one of my favorite spots to take night shots and set up
my equipment around the old farm buildings in the bean field. The D750 was on
the Vanguard tripod with the 24-70mm lense. The lense was wide open with
autofocus and VR turned off. I used an 8
second exposure for the majority of these images while adjusting the ISO. For
the sky, ISO 3200-6400 was used while for the building exposures, I went ISO
800-1600. The speedlights were set on
homemade light stands and triggered using Vello’s flash trigger.
Capturing images to create panoramics was much harder in the dark since
I couldn’t see exactly what I was capturing but I tried to pick out stars and
made sure I overlapped the images to be able to make the pano in Lightroom.
Using LR, I edited the RAW files using presets, graduated filters and
adjustment brushes. These changes are done to make the Milky Way pop when it
comes to its brightness, contrast and color. I did use some new settings after
watching material on YouTube that I liked the look of on these images.
Photoshop was used to finalize the images by first getting rid of
unwanted objects using the healing and clone stamp brush such as lightening bug
trails, wires and other objects. To get rid of a greenish/yellowish hue in part
of the sky I didn’t like, I used the hue/saturation adjustment layer mask and
brush tool to accomplish that. To get a nice blended look of the corn crib and
barn with the night sky, I merged two images together and changed the layer
that had the crib and barn to lighten mode to help blend them. I lucked out on
not having to blend one of these images when a truck drove by on the gravel
road and natural lit up the crib and barn.
With the summer winding down fast, I have just a couple more chances to
get out and capture the Milky Way so hoping the weather will cooperate during
those times and I can get out once again.
Equipment Used: Nikon D90, Tamron 24-70 mm f2.8 G2 lense, Hahnel
Wireless Remote Control, Slik Pro 500DX tripod, Lightroom & Photoshop CC
Lake Panorama held its fireworks show on the closest Saturday to the 4th
of July this summer and I headed to my usual location to capture the boats on
the water and fireworks above them.
I set up both of my cameras and in this collection; the D90 was used
with the 24-70mm lense to capture these images. Settings on the camera included
an ISO of 400, f7.1 to f9.0 aperture and 42mm on the lense. The Hahnel remote
was used to trigger the camera when I saw the fireworks get lit and I held the
shutter open for anywhere between 3 to 23 seconds. When running a two camera set up, sometimes
you forget which remote you have pushed down which might turn an image into
something good or bad?
Using Lightroom, I used user presets that I’ve developed last year for
fireworks in the same scene situation and then further tweaked the basic tab
sliders. Graduated filter and a mask was used to fine tune the exposure of the
boats on the water and the reflection in the water.
In Photoshop, I cloned out unwanted objects like a cell phone tower and
a buoy that was in the water. I used a vibrance adjustment layer to increase the
color of the fireworks as well. I reduced the noise of these images with the
reduce noise filter. I created 3 combined images in PS using different images
of fireworks. I was able to do this by using different blending modes with
layer masks and rotating the images to spread out the look of the fireworks.
These images turned out better I think because they are in better focus
as far as the boats and firework bursts are concerned. Even though the D750 is
the better camera, miss focusing caused by the lense made the D90 the winner on
this shoot. With Panorama Days this weekend, I’ll have a second chance to get
focused shots on both cameras.