The D90 was with me in the blind and truck with the 18-105mm
or 70-300mm lense being used with the first lense on the majority of the time.
Using aperture priority mode, the aperture ranged from 7.1 to 9 while in manual
mode, I adjusted the shutter speed to a one second exposure to capture the
motion of the vortexs in dim light. Because I took images in a wide variety of
lighting conditions, my ISO ranged from 200 all the way up to 1600 along with
changing the exposure compensation if needed.
The RAW files from the camera were processed in ViewNX by
changing the white balance to direct sunlight, shade or cloudy settings. These
settings increased the color and tint to a particular image. The picture control
was changed to Nature Landscape or MonoSnowGoose. MonoSnowGoose is a crazy
curve that I created last spring that makes certain images almost look infrared
and work well for snow goose images.
Once in PSE8, I finalized the images with cropping and
straightening because it is more difficult shooting from a layout blind. The healing
and cloning brush were used to get rid of unwanted objects and I also used the
dodge and burn tools too to fine tune the shadows and highlights. To add a
different look to a select few images, I used special plugins and filters from
PSE8 such as world war II and poster edges. These plugins and filters were used with layer masks as well.
It is hard to believe another waterfowl season is in the
books but as one closes another one is just around the corner and I’m already
looking forward to crisp autumn weather.
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